Born in Flames

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Born in Portugal, Paula Rego is that great rarity an artist with a truly international reputation. Her lasting significance is beyond doubt. Nicholas Serota, director of the Tate Gallery in London, describes her as a major figure who has "taken her own childhood experiences, memories, fantasies and fears, and given…
Love in the Post
Can love be deconstructed? What happens when a famous philosopher writes about love, literature and postcards? Jacques Derrida is the father of deconstruction. In 1980 he wrote an intriguing book 'The Post Card' which weaves fact and fiction in a story told through love letters. Love in the Post: From…
Joan the Woman
Joan the Woman (Cardinal Film Corporation, 1916) was Cecil B. DeMille's first great spectacle. In keeping with theatrical tradition, DeMille sought a more formal and stylized mode of acting from stars Geraldine Farrar and Wallace Reid - a technique he continued in his late historical films. Wilfred Buckland's art direction…
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Justin is a troubled teen looking for a way out of the gang life. His best friend Charlie is a rich Taiwanese kid who lives in the nice part of town. Justin runs away from home after a fight with his mom and takes refuge while Charlie's parents are away…
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This 40 minute video is a slice of history by Mother Art, a collective of eight women artists. Using art installations in galleries and public spaces, such as laundromats and banks, they explored the social/political issues that affected all of us. Mother Art Tells Her Story focuses on the turbulent…
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The Silent Era
Part of the Series: Reel Herstory
The first director to tell a narrative story on the screen was a woman. The highest paid director in the silent days was a woman. More than half of screenwriters in the silent days were women. Before 1920, more women were working behind the scenes in influential positions in film…
Editors on Editing
Part of the Series: Filmmakers on Film
Film editing initially began as a woman's art in France. As veteran film editor, Dede Allen, tell it, "They thought that women were good at little details, like sewing." Before editing became a craft, women were the earliest technicians. Today, the long tradition of women editors carries on.
Contemporary Reel Women
Part of the Series: Reel Herstory
For forty years the doors of studio filmmaking were closed to women. But the coming of the women's movement in the late 1960's changed everything. This is the story of the second'wave of Reel Women who, like their early foremothers, once again held the power to greenlight a motion picture.…
The Talkies
Part of the Series: Reel Herstory
The emergence of SOUND never allowed women to move from silents to speech. By the mid-1920's film suddenly became big business. And with big business came the unions, which refused membership to women. Only a few rose to positions of power, but those same few changed the course of motion…
Reel Herstory - The REAL Story of Reel Women with Jodie Foster
Based on the groundbreaking edition, Reel Women: THE FIRST HUNDRED YEARS, by Ally Acker, JODIE FOSTER takes us on a sweeping journey that looks at the remarkable achievements of female filmmakers from 1896 into the 21st century who transformed the way we look at movies. Using rare footage, and exclusive…
Producers on Producing
Part of the Series: Filmmakers on Film
Who should direct the film? Who should write it? Who should edit the final product? With major Hollywood studios, these questions lie within the producer's domain. Marcia Nasatir was the first female VP of a major studio. Sherry Lansing was the first woman to become president of a major studio.…