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Early Directors on Directing
Part of the Series: Filmmakers on Film
There were more women directors before 1920 than at any other time in history. The first director to put a narrative story on celluloid was, Alice Guy Blache in 1896. Few people know that Lillian Gish became a director in her own right in 1920. Ida Lupino directed over a…
Kiki Smith: Squatting the Palace
This film takes a circular approach to an artist who works in overlapping spirals of creative energy. Smith works in her home - not in a space specifically designed as a studio but on the 2nd floor of her East Village townhouse. There, amidst her books, a pet bird, and…
Filmmakers on Film - Pioneering Women in Film Collection
A 10-Part Series on Pioneering Women in Film Award winning series that premiered at the Kennedy Center in Washington, DC. This Series Includes: Screenwriters on Screenwriting : Explore the challenging world of the screenwriter with renowned industry writers. Features: Jay Presson Allen, Harriet Frank Jr., Fay Kanin, Margarethe von Trotta,…
Author Julia Franck
The life story of Julia Franck is representative of the experience of millions of people in Germany of the last century. Her best-selling novel Die Mittagsfrau (English title, The Blind Side of the Heart) in drawing from her own family history struck a chord with the German public and sold…
KOOP - The Art of Wanda Koop
The visionary Canadian artist Wanda Koop is preparing massive new paintings of archetypal cities and familiar yet disquieting landscapes. Named by Time Magazine as one of Canada's best artists, recipient of the Order of Canada, honorary doctorates and prizes, Koop's creative life is hectic. Taking a break from studio demands,…
Eileen Myles: An Interview
In this interview, American writer, artist, performer Eileen Myles (b.1949) discusses the various philosophies that motivate her work, including the language of film, embodied performance, and the alienation evoked by bodily vulgarity. Myles links her wide range of artistic and literary practice with notions of abstraction, improvisation, and the mythology…
Who Does She Think She Is? - A Portrait of Female Artists
From the producing team that won an Academy Award for Born Into Brothels comes Who Does She Think She Is?, a film that examines some of the most pressing issues of our time: parenting and work, partnering and independence, economics and art. This gorgeously photographed film follows five women artists…
The Good Looker
April, 1947. The artist Joy Hester - the beautiful peroxide-blonde bombshell of the Melbourne art world - discovers she is dying of cancer. She is 27 years old. Hester responds to the news as only Hester could - within days, she abandons her artist husband Albert Tucker, leaves her two-year-old…
Ken Bugul: Nobody Wants Her - Portait of an Author
Ken Bugul is a Senegalese writer, who has settled in Africa, where her soul is anchored. Ken Bugul is style. Both in her works and in life. She is pure energy and has a passion for freedom. Novel after novel, she paints the picture of her life as a woman,…
Reel Herstory - The REAL Story of Reel Women with Jodie Foster
Based on the groundbreaking edition, Reel Women: THE FIRST HUNDRED YEARS, by Ally Acker, JODIE FOSTER takes us on a sweeping journey that looks at the remarkable achievements of female filmmakers from 1896 into the 21st century who transformed the way we look at movies. Using rare footage, and exclusive…
The Silent Era
Part of the Series: Reel Herstory
The first director to tell a narrative story on the screen was a woman. The highest paid director in the silent days was a woman. More than half of screenwriters in the silent days were women. Before 1920, more women were working behind the scenes in influential positions in film…
The Talkies
Part of the Series: Reel Herstory
The emergence of SOUND never allowed women to move from silents to speech. By the mid-1920's film suddenly became big business. And with big business came the unions, which refused membership to women. Only a few rose to positions of power, but those same few changed the course of motion…