Richard III
Part of the Series: The Janus British Collection

Janus Films (The Criterion Collection)
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The Lord of the Flies
Part of the Series: The Janus British Collection
In the hands of the renowned experimental theater director Peter Brook, William Golding's legendary novel about the primitivism lurking beneath civilization becomes a film as raw and ragged as the lost boys at its center. Taking an innovative documentary-like approach, Brook shot Lord of the Flies with an off-the-cuff naturalism,…
L'avventura
Part of the Series: Janus Italian Cinema Collection
A girl mysteriously disappears on a yachting trip. While her lover and her best friend search for her across Italy, they begin an affair. Antonioni's penetrating study of the idle upper class offers stinging observations on spiritual isolation and the many meanings of love. Additional Reading: http://www.criterion.com/current/posts/99-l-avventura http://www.criterion.com/current/posts/828-l-avventura
Cleo From 5 to 7
Part of the Series: Janus French New Wave Collection
Agnes Varda eloquently captures Paris in the sixties with this real-time portrait of a singer (Corinne Marchand) set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman's life, CLEO FROM 5 TO 7 is a spirited mix of vivid…
The Red Balloon
Albert Lamorisse's exquisite The Red Balloon remains one of the most beloved children's films of all time. In this deceptively simple, nearly wordless tale, a young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet…
The Music Room
With The Music Room (Jalsaghar), Satyajit Ray brilliantly evokes the crumbling opulence of the world of a fallen aristocrat (the beloved actor Chhabi Biswas) desperately clinging to a fading way of life. His greatest joy is the music room in which he has hosted lavish concerts over the years--now a…
The Home and the World
Both a romantic-triangle tale and a philosophical take on violence in times of revolution, The Home and the World (Ghare Baire), set in early twentieth-century Bengal, concerns an aristocratic but progressive man who, in insisting on broadening his more traditional wife's political horizons, drives her into the arms of his…
Divorce Italian Style
Part of the Series: Janus Italian Cinema Collection
Baron Ferdinando Cefalu (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (Daniela Rocca). His solution? Since divorce is illegal, he hatches a plan to lure his spouse into the arms of another and…
Cria Cuervos
Carlos Saura's exquisite Cria cuervos . . . heralded a turning point in Spain: shot while General Franco was on his deathbed, the film melds the personal and the political in a portrait of the legacy of fascism and its effects on a middle-class family (the title derives from the…
Walkabout
A young sister and brother are abandoned in the harsh Australian outback and must learn to cope in the natural world, without their usual comforts, in this hypnotic masterpiece from Nicolas Roeg. Along the way, they meet a young aborigine on his "walkabout," a rite of passage in which adolescent…
Major Barbara
Part of the Series: The Janus British Collection
Filmed in London in 1941, during the Blitz, Major Barbara emerged from a troubled production to become a major success for George Bernard Shaw and producer-director Gabriel Pascal. Pygmalion's Wendy Hiller returns, this time as one of Shaw's most memorable and controversial characters, Barbara Undershaft, a Salvation Army officer who…
Rashomon
A riveting psychological thriller that investigates the nature of truth and the meaning of justice, Rashomon is widely considered one of the greatest films ever made. Four people give different accounts of a man's murder and the rape of his wife, which director Akira Kurosawa presents with striking imagery and…
Breathless
Part of the Series: Janus French New Wave Collection
There was before Breathless, and there was after Breathless. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du cinema. With its lack of polish, surplus of attitude, anything-goes crime…