Seeking Asian Female

New Day Films
Show More

If you are a student or a professor:

Watch now

If you are a librarian or a professor:

Comments (6)

Anonymous picture
Lory

It was a emotional story with many surprises. I had similar biases in the beginning as the filmmaker but as I carried on watching I got very emotional involved and cried in the end when things took an up turn. Sandy’s English seemed to have improved a lot by the end and I am truly happy for ...Read more

L avatar
L

Definitely interesting. Ending was kind of weak though.

Anonymous picture
Anonymous

I liked everything about it.

Anonymous picture
Anonymous

entertaining and informative

Minami avatar
Minami

The story of Steven and Sandy was very difficult to watch at times - it was almost like watching an arguing high school couple, with their arguments fueled mainly by Sandy's jealousy and Steven's boyish ignorance. There was a very large disconnect between the two, largely because of their ...Read more

Anonymous picture
Anonymous

I too would love to know if Steven and Sandy are still together. Great documentary but agree it was depressing at times.

Related videos

Filmmakers on Film - Pioneering Women in Film Collection
A 10-Part Series on Pioneering Women in Film Award winning series that premiered at the Kennedy Center in Washington, DC. This Series Includes: Screenwriters on Screenwriting : Explore the challenging world of the screenwriter with renowned industry writers. Features: Jay Presson Allen, Harriet Frank Jr., Fay Kanin, Margarethe von Trotta,…
Reel Herstory - The REAL Story of Reel Women with Jodie Foster
Based on the groundbreaking edition, Reel Women: THE FIRST HUNDRED YEARS, by Ally Acker, JODIE FOSTER takes us on a sweeping journey that looks at the remarkable achievements of female filmmakers from 1896 into the 21st century who transformed the way we look at movies. Using rare footage, and exclusive…
Early Directors on Directing
Part of the Series: Filmmakers on Film
There were more women directors before 1920 than at any other time in history. The first director to put a narrative story on celluloid was, Alice Guy Blache in 1896. Few people know that Lillian Gish became a director in her own right in 1920. Ida Lupino directed over a…
Foreign Reel Women
Part of the Series: Filmmakers on Film
Non-US directors speak about the idiosyncrasies of filmmaking in their respective countries. Because of the difficulty of financing, very few American film directors establish a body of work. For American women directors, the problem is two-fold. But in Europe, Canada, and some countries of South America, filmmaking is often government…
Aging in America: The Years Ahead - A Groundbreaking Look at What it Means to Grow Older
A highly charged journey across the landscape of aging. This film travels from coast to coast exploring the unprecedented highs and the prolonged lows of growing old. From burlesque dancers in their seventies to geriatric prison wards, this film takes us to the extreme ends of longevity while asking 'What…
Do Not Go Gently - The Power of Imagination in Aging
Do Not Go Gently celebrates the lives, work and wisdom of three remarkable artists who have maintained their creative productivity well into their golden years. Their stories illustrate the role of creativity and art in contributing to a long, happy, healthy and vibrant life. Narrated by famed newsman Walter Cronkite,…
The Open Road - America Looks at Aging
The Open Road: America Looks at Aging, which premiered on PBS in July 2005, examines the personal and social impact of the impending retirement of America's 77 million Baby Boomers. Through insightful stories of individuals confronting the obstacles and pursuing opportunities presented by the "third stage" of life, The Open…
The Silent Era
Part of the Series: Reel Herstory
The first director to tell a narrative story on the screen was a woman. The highest paid director in the silent days was a woman. More than half of screenwriters in the silent days were women. Before 1920, more women were working behind the scenes in influential positions in film…
Editors on Editing
Part of the Series: Filmmakers on Film
Film editing initially began as a woman's art in France. As veteran film editor, Dede Allen, tell it, "They thought that women were good at little details, like sewing." Before editing became a craft, women were the earliest technicians. Today, the long tradition of women editors carries on.
Contemporary Reel Women
Part of the Series: Reel Herstory
For forty years the doors of studio filmmaking were closed to women. But the coming of the women's movement in the late 1960's changed everything. This is the story of the second'wave of Reel Women who, like their early foremothers, once again held the power to greenlight a motion picture.…
The Talkies
Part of the Series: Reel Herstory
The emergence of SOUND never allowed women to move from silents to speech. By the mid-1920's film suddenly became big business. And with big business came the unions, which refused membership to women. Only a few rose to positions of power, but those same few changed the course of motion…
Producers on Producing
Part of the Series: Filmmakers on Film
Who should direct the film? Who should write it? Who should edit the final product? With major Hollywood studios, these questions lie within the producer's domain. Marcia Nasatir was the first female VP of a major studio. Sherry Lansing was the first woman to become president of a major studio.…