Tokyo Story

Criterion Collection/Janus Films
Show More

If you are a student or a professor:

Watch now

If you are a librarian or a professor:

Related videos

Late Spring
One of the most powerful of Yasujiro Ozu's family portraits, Late Spring(Banshun) tells the story of a widowed father who feels compelled to marry off his beloved only daughter. Eminent Ozu players Chishu Ryu and Setsuko Hara command this poignant tale of love and loss in postwar Japan, which remains…
An Autumn Afternoon
Yasujiro Ozu's final film was also his final masterpiece, the gently heartbreaking story of a man's dignified resignation to both life's ever-shifting currents and society's gradual modernization. Though widower Shuhei Hirayama (Ozu's frequent leading man Chishu Ryu) has been living comfortably for years with his grown daughter, a series of…
Late Autumn
The great actress and Ozu regular Setsuko Hara plays a mother gently trying to persuade her daughter to marry in this glowing portrait of family love and conflict--a reworking of Ozu's 1949 masterpiece Late Spring. Additional Reading: http://www.criterion.com/current/posts/634-eclipse-series-3-late-ozu
No Regrets for our Youth
In Akira Kurosawa's first film after the end of World War II, future beloved Ozu regular Setsuko Hara gives an astonishing performance as Yukie, the only female protagonist in Kurosawa's body of work and one of his strongest heroes. Transforming herself from genteel bourgeois daughter to independent social activist, Yukie…
Floating Weeds
In 1959, Yasujiro Ozu remade his 1934 silent classic A Story of Floating Weeds in color with the celebrated cinematographer Kazuo Miyagawa (Rashomon, Ugetsu). Setting his later version in a seaside location, Ozu otherwise preserves the details of his elegantly simple plot wherein an aging actor returns to a small…
The End of Summer
The Kohayakawa family is thrown into distress when childlike father Manbei takes up with his old mistress, in one of Ozu's most deftly modulated blendings of comedy and tragedy. Additional Reading: http://www.criterion.com/current/posts/634-eclipse-series-3-late-ozu
Equinox Flower
Later in his career, Ozu started becoming increasingly sympathetic with the younger generation, a shift that was cemented in Equinox Flower, his gorgeously detailed first color film, about an old-fashioned father and his newfangled daughter. Additional Reading: http://www.criterion.com/current/posts/634-eclipse-series-3-late-ozu
Drunken Angel
In this powerful early noir from the great Akira Kurosawa, Toshiro Mifune bursts onto the screen as a volatile, tubercular criminal who strikes up an unlikely relationship with Takashi Shimura's jaded physician. Set in and around the muddy swamps and back alleys of postwar Tokyo, Drunken Angel is an evocative,…
Street of Shame
For his final film, Mizoguchi brought a lifetime of experience to bear on the heartbreaking tale of a brothel full of women whose dreams are constantly being shattered by the socioeconomic realities surrounding them. Set in Tokyo's Red Light District (the literal translation of the Japanese title), Street of Shame…
The Lower Depths
Jean Renoir and Akira Kurosawa, two of cinema's greatest directors, transform Maxim Gorky's classic proletariat play The Lower Depths in their own ways for their own times. Renoir, working amidst the rise of Hitler and the Popular Front in France, had need to take license with the dark nature of…
Stray Dog
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo's sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop…
When A Woman Ascends the Stairs
When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour--a delicate, devastating study of a woman, Keiko (played heartbreakingly by Hideko Takamine), who works as a bar hostess in Tokyo's very modern postwar Ginza district, who entertains businessmen after work. Sly, resourceful, but trapped, Keiko comes…